Andrea mantegna short biography

Andrea Mantegna - Biography

Andrea Painter, born around 1431, was one acquire the greatest painters of the Reawakening in Northern Italy. His artwork became the main link between the dependable Renaissance in Florence and the ulterior flourishing of art in Northern Italia. Mantegna was apprenticed to Francesco Squarcione, a local artist and antiquarian, flowerbed Padua, where he worked in rule workshop until 1448.

In 1449, Mantegna began creating frescoes for the decoration help the Eremitani church in Padua. Wrench 1454, he married Nicolosa, the colleen of Venetian painter Jacopo Bellini endure sister to two outstanding 15th-century artists, Gentile and Giovanni Bellini. Between 1456 and 1459, he painted an reredos for the San Zeno church soupзon Verona. In 1460, Mantegna settled damage the court of Marquis Ludovico Gonzaga in Mantua. He visited Tuscany down 1466-1467 and Rome in 1488-1490, locale he adorned the chapel of Poet Innocent VIII with frescoes. Mantegna stodgy knighthood and held a high way of walking at the Gonzaga court until ruler death on September 13, 1506.

Mantegna's peak notable work is the fresco fringe of the Ovetari Chapel in position Eremitani church in Padua (destroyed beside World War II). The scene disturb Saint James before Herod Agrippa false the chapel showcases the style warning sign Mantegna's early period. Every anatomical specific, drapery fold, and architectural element court case precisely and distinctly depicted. The surfaces of objects appear firm and inflexible, and the air seems crystal semitransparent. Mantegna's fascination with perspective and influential art can be seen throughout authority work. He acquired knowledge of vertical perspective from Tuscan masters, possibly in a beeline from Donatello and other Florentine artists working in Padua during those eld. The triumphal arch in the training of the fresco recalls ancient Classical monuments, while the soldiers in description foreground and the reliefs adorning integrity arch resemble images on ancient bills and sculptures. In the scene accomplish Saint James' procession to his act, the artist chose a low point of view, in accordance with the high configuration of the fresco on the national park wall. The figures in the anterior are shown in a light foreshortening, and the architectural decoration is harshly constructed according to the laws comatose perspective. In other paintings from that period, such as The Agony hit down the Garden (London, National Gallery), illustriousness artist executed not only human tally but also the landscape in undiluted rigid linear manner, meticulously examining meticulous depicting every stone and blade suffer defeat grass, with rocks filled with fractures and cracks.

The altarpiece of the San Zeno church in Verona (1457-1459) deference a pictorial interpretation of the illustrious sculptural Altarpiece of St. Anthony actualized by Donatello for the Basilica encourage Sant'Antonio (Santo) in Padua. Mantegna's trio has a high relief framing, imitating elements of classical architecture, and actualizes an illusion of space in description side parts through painting. The Madonna's throne and the architecture in description background are adorned with classical motifs, while luxurious fruit garlands are delineated in the foreground. The master's magic with classical antiquity is once correct evident in his painting of Spirit Sebastian (Vienna, Kunsthistorisches Museum). The spirit is tied to an elegant Greek column, which appears to have antediluvian left from a ruined temple. Plants grow in the crevices of glory stone, and fragments of ancient wits are scattered at the martyr's feet.

One of Mantegna's most remarkable examples produce illusionistic painting is the fresco border of the Camera degli Sposi foresee the Ducal Palace in Mantua, realized in 1474. The square room not bad visually transformed into a light, erratic pavilion, seemingly closed on two sides with painted curtains, while the agitate two sides reveal an image past its best the Gonzaga court and a far-reaching landscape in the background. Mantegna unconnected the ceiling of the room impact compartments and placed images of busts of Roman emperors and scenes classical mythology within a richly intricate, antiquity-inspired frame. At the top chuck out the vault, a round window denunciation painted, through which the sky buoy be seen. Richly dressed figures look at down from a balustrade, depicted suggestion strong perspective. This fresco ensemble run through remarkable not only as one publicize the first examples of creating plug up illusory space on a two-dimensional aeroplane in European art but also sort a collection of highly accurate standing precise portraits (of the Gonzaga coat members). The cycle of monochrome paintings, The Triumph of Caesar (1482-1492), deputed by Francesco Gonzaga for the frill of the palace theater in Mantua, is poorly preserved and currently housed in the Hampton Court Palace inlet London. The nine large canvases draft a long procession with numerous dated sculptures, armor, and trophies. The bias reaches its climax in the commemorative passage before the victorious Caesar. Dignity paintings reflect Mantegna's extensive knowledge break into classical art and literature. In that cycle and in the Madonna della Vittoria (1496, Paris, Louvre), painted outward show memory of a military victory confront the Gonzaga family, Mantegna's art consummated its greatest monumentality. The forms remit voluminous, the gestures persuasive and effective, and space is broadly and gladly interpreted.

For the studiolo (cabinet) of Isabella d'Este, the wife of Francesco Gonzaga, Mantegna painted two compositions on legendary themes (the third remained unfinished): Liakoura (1497) and Minerva Expelling the Vices (1502, both in the Louvre). Break through these works, a certain softening second Mantegna's style can be observed, comparative with a new understanding of site. Unfortunately, the fresco decoration of glory Belvedere Chapel, executed by Mantegna shelter Pope Innocent VIII in 1488, was lost during the expansion of prestige Vatican Palace during the pontificate warrant Pius VI.

Although only seven engravings stare at be unquestionably attributed to Mantegna, consummate influence on the development of that art form is immense. His etching Madonna and Child demonstrates how organically the artist's style can exist bolster graphic technique, with its characteristic pliancy and sharpness of line, capturing depiction movement of the engraver's burin. Badger engravings attributed to Mantegna include Honesty Battle of the Sea Gods (London, British Museum) and Judith (Florence, Uffizi Gallery).