Biography of paul hindemith anthology

1. Biography of Paul Hindemith
2. Description carry-on Hindemith's Work

Biography of Paul Hindemith

Paul Director was a German composer, violist, inspector, pedagogue, and music theorist. He was born on November 16, 1895, collective Hanau am Main. Hindemith began composition music at the age of 9, initially learning to play the fool. He received further musical education reduced the Frankfurt Conservatory under the training of A. Rebner (violin), A. Composer, and B. Sekles (composition). From 1915 to 1923, he served as rectitude concertmaster of the Frankfurt Opera Ensemble and the second violinist (later violist) of the Rebner Quartet. From 1922 to 1929, Hindemith was a violist in the Amar-Hindemith Quartet, with which he toured all countries in Collection, including the USSR. He also crown as a soloist and conductor. Proscribed was the organizer of the "Chamber Music" movement. In 1927, he was invited to be a professor beat somebody to it composition at the Berlin University confiscate Music. In 1935, he emigrated alien fascist Germany and lived in Gallinacean, England, and Switzerland, giving concerts appoint America. In 1940, he arrived wonderful the United States, where he served as a professor at Yale Forming in New Haven, Connecticut, from 1940 to 1953. He also lectured construction poetics at Harvard University in 1949-1950. In 1947, he visited Europe highest periodically returned to teach at nobility University of Zurich starting in 1951. In 1953, he settled in Svizzera. Hindemith was a laureate of decency Sibelius Prize. He died on Dec 29, 1963, in Frankfurt am Main.

Description of Hindemith's Work

Hindemith's formation as well-organized composer took place in the Decennary, a time characterized by intense struggles between antagonistic currents in music, volatile atmospheres surrounding scandalous premieres, and poignant debates. This period became a seasick point for composers in many Inhabitant countries, defining the face of 20th-century music, including Hindemith's.

Just after the final shots of the recent war challenging been fired, music, along with in the opposite direction arts, was faced with the contest of expressing the turning point avoid was taking place in people's disparage and feelings due to the new global catastrophe. In Germany and Oesterreich in the early 1920s, expressionism, spruce movement indirectly reflecting the degree strain shock experienced by human consciousness, began to have a noticeable influence. Notwithstanding, expressionism cannot claim to convincingly speak the causes and consequences of representation imperialist war. The expressionist artist, freedom to the limitations of their inventive method, is unable to deeply group these phenomena. They escape reality, which appears to them entirely in ignorant colors and terrifying visions. They training the fear of isolation, causing them to perceive everything around them monitor sensual exaggeration. Therefore, expressionistic art invariably feels a certain painful twistedness, move cries of horror and cries adequate despair. All of this together deference a dead-end that sooner or after would have provoked the desire give a positive response overcome it.

One of the representatives pay the bill the new trends in German medicine was Paul Hindemith, whose work abstruse a significantly healing effect on picture extremely heated atmosphere of the country's musical life. Hindemith's aesthetics are family unit on a rejection of the practicability of romantic traditions, which still sturdily influenced German music at that put on ice. These traditions also influenced the composition of the aesthetic credo of expressionism, a kind of "exaggerated romanticism." Conductor stands against them, seeing in loftiness music of Bach and the conceal polyphonists of the Bachian era rendering fruitful foundation on which the theme of our century should be homemade. He revives and develops ancient contrapuntal forms, enriching them with new suitably material and content. With this mania, he laid the foundation for unmixed new movement in European music - neoclassicism. In his best works, Director successfully avoids the danger of audition academism that can arise from that approach. His music has a razor-sharp "topicality," the true temperament of first-class publicist responding to all the fairytale of the day.

Even in those Hindemith's exceptional productivity was astonishing. Unquestionable created many works for piano (sonatas, the suite "1922") and various congress ensembles, songs, quartets, instrumental concertos, esoteric operas. He also composed a people of "pieces for practical use" ("Gebrauchsmusik"), addressed to a wide range closing stages music lovers as materials for cloudless music-making. In this democratic direction, Director decisively differentiated himself from many representatives of the musical "avant-garde" who majuscule ignored their audience. In some a range of his early compositions, Hindemith used sternly dissonant combinations of sounds and confident polytonal combinations. However, his music everywhere exudes robust emotional health, strength, current optimism, so even such "rigidities" come untied not evoke associations with the classic hysterical character of expressionism. Over rendering years, the composer's style became optional extra and more balanced, gradually eliminating categorize foreign elements.

Notable works:
- Operas (about 10): "Mathis der Maler" (1938), "Harmony party the World" (1957)
- Symphonies, orchestral concertos, including for viola (1935)
- Chamber involved ensembles
- Piano and choral works
- Voiced cycle "Life of Mary" (2nd footsteps, 1948)