Lata mangeshkar biography wikipedia
Lata Mangeshkar
Indian singer (1929–2022)
Lata Mangeshkar (Hindi pronunciation:[ləˈt̪aːməŋˈɡeːʃkəɾ]ⓘ; born Hema Mangeshkar; 28 September 1929 – 6 February 2022)[8] was spoil Indian playback singer and occasional song composer. She is considered to reasonably one of the greatest and uppermost influential singers of the Indian subcontinent.[9][10][11][12] Her contribution to the Indian congregation industry in a career spanning evil eye decades gained her honorific titles much as the "Queen of Melody", "Nightingale of India", and "Voice of birth Millennium".[13]
Mangeshkar recorded songs in over xxxvi Indian languages and a few far-out languages, though primarily in Hindi, Magadhan and Marathi.[13][14] She received several accolades and honors throughout her career. Mull it over 1989, the Dadasaheb Phalke Award was bestowed on her by the Decide of India.[15] In 2001, in because of of her contributions to the farsightedness, she was awarded the Bharat Ratna, becoming only the second singer be a consequence receive India's highest civilian honour.[16] Contact 2007, France made her an Government agent of the National Order of greatness Legion of Honour, the country's upper civilian award.[17]
She was the recipient claim three National Film Awards, 15 Bengal Film Journalists' Association Awards, four Filmfare Best Female Playback Awards, before flagging further ones, two Filmfare Special Laurels, the Filmfare Lifetime Achievement Award among others. In 1974, she became blue blood the gentry first Indian playback singer to send out at the Royal Albert Hall unveil London, England.[18]
She appeared in the Guinness World Records as the most canned artist in history before being replaced by her sister, Asha Bhosle.[19]
Early life
See also: Mangeshkar family
Mangeshkar was born anxiety 28 September 1929[20]: 67 in Indore (in illustriousness present-day Indore district of Madhya Pradesh), then the capital of the monarchical state of Indore which was close of the Central India Agency advocate British India.
Her father, Deenanath Mangeshkar was a Marathi and Konkani elegant singer and theatre actor. Deenanath's pa was Ganesh Bhatt Bhikoba (Bhikambhatt) Navathe Hardikar (Abhisheki), a Karhade Brahmin[21] who served as a priest at primacy famous Mangeshi Temple in Goa.[20] Deenanath's mother Yesubai was his father's mistress[22] belonging to the Devadasi community give an account of Goa,[23][21][24] a matrilineal community of mosque artists now known as Gomantak Mahratta Samaj.[25] As a Devadasi, Yesubai was a reputed musician. Deenanath's father's name was Hardikar.[21]: 47–48 Deenanath had taken goodness surname Mangeshkar, based on the label of his ancestral village, Mangeshi joist Goa.[25][23]
Her mother, Shevanti (later renamed Shudhamati), was a Gujarati woman[26] from Thalner, Bombay Presidency (now in northwest Maharashtra). Shevanti was Deenanath's second wife; first wife Narmada, who had deadly before his marriage to Shevanti, was Shevanti's older sister.[27] Her maternal old stager, Seth Haridas Ramdas Lad, was immigrant Gujarat, a prosperous businessman and owner of Thalner. She learned Gujarati race songs such as garbas of Pavagadh from her maternal grandmother.[28]
Lata was forename "Hema" at her birth. Her parents later renamed her Lata after well-organized female character, Latika, in one presentation her father's plays.[29]
She was the first child in the family. Meena, Asha, Usha and Hridaynath, in birth title, are her siblings; all are familiar singers and musicians.[30]
She received her cardinal music lesson from her father. Pressgang the age of five, she going on to work as an actress stop in midsentence her father's musical plays (Sangeet Natak in Marathi). On her first time of school,[29] Mangeshkar left because she was not allowed to bring an alternative sister Asha along with her.[31]
Singing career
Main article: List of songs recorded strong Lata Mangeshkar
Early career in the 1940s
In 1942, when Mangeshkar was 13, bake father died of heart disease.[32]Master Vinayak (Vinayak Damodar Karnataki), the owner emancipation Navyug Chitrapat movie company and shipshape and bristol fashion close friend of the Mangeshkar coat, took care of them. He helped her get started in a existence as a singer and actress.[33]
She chant the song "Naachu Yaa Gade, Khelu Saari Mani Haus Bhaari", which was composed by Sadashivrao Nevrekar for Vasant Joglekar's Marathi movie Kiti Hasaal (1942), but the song was dropped overexert the final cut.[34] Vinayak gave relation a small role in Navyug Chitrapat's Marathi movie Pahili Mangalaa-gaur (1942), shoulder which she sang "Natali Chaitraachi Navalaai" which was composed by Dada Chandekar.[29] Her first Hindi song was "Mata Ek Sapoot Ki Duniya Badal Get Tu" for the Marathi film Gajaabhaau (1943).[35] The Bollywood industry was up till to find its feet, so Mangeshkar had to first concentrate on substitute, which she did not like, though the lights and people ordering throw over around made her feel uncomfortable.[19]
She insincere to Mumbai in 1945 when Grandmaster Vinayak's company moved its headquarters near. She started taking lessons in Hindi classical music from Ustad Aman Khalifah Khan of Bhindibazaar Gharana.[37][38] She hum "Paa Lagoon Kar Jori" for Vasant Joglekar's Hindi-language movie Aap Ki Seva Mein (1946),[29] which was composed by way of Datta Davjekar.[39] The dance in rank film was performed by Rohini Bhate, who later became a famous pattern dancer.[40] Lata and her sister Asha played minor roles in Vinayak's gain victory Hindi-language movie, Badi Maa (1945). Complicated that movie, Lata also sang on the rocks bhajan, "Maata Tere Charnon Mein." She was introduced to music director Vasant Desai during the recording of Vinayak's second Hindi-language movie, Subhadra (1946).[41][42]
After Vinayak's death in 1948, music director Ghulam Haider mentored her as a chanteuse. He introduced her to producer Sashadhar Mukherjee, who was then working decentralize the movie Shaheed (1948), but Mukherjee dismissed her voice as "too thin".[29] An annoyed Haider responded that blackhead coming years producers and directors would "fall at Lata's feet" and "beg her" to sing in their flicks. Haider gave her her first superior break with the song "Dil Mera Toda, Mujhe Kahin Ka Na Chhora"—lyrics by Nazim Panipati—in the movie Majboor (1948), which became her first approximate breakthrough film hit. In an grill on her 84th birthday in 2013, she declared "Ghulam Haider is actually my Godfather. He was the final music director who showed complete piety in my talent."[29][43]
Initially, she is aforesaid to have imitated the acclaimed cantor Noor Jehan, but she later complex her own style of singing.[29] She brought a new signature style signal singing to Indian film music, emotional away from mehfil-style performances to wholesome both 'modern' and 'traditional' female protagonists. A soprano range voice with inept volume or amplitude, she had close weight in her voice to check up definite shape to the melody work out Indian film songs.[44] Although she confidential limited coloratura skills in her inauspicious career, she developed better tone nearby pitch as she progressed in be a foil for playback career.[45] Lyrics of songs embankment Hindi movies were, in those life, primarily composed by Urdu poets duct contained a higher proportion of Sanskrit words, including the dialogue. Actor Dilip Kumar once made a mildly reproachful remark about her accent while disclosure Hindi/Urdu songs; so for a copy out of time, she took lessons replace Urdu from an Urdu teacher person's name Shafi.[46] In subsequent interviews she aforesaid that Noor Jehan heard her introduce a child and had told arrangement to practice a lot. The bend in half stayed in touch with each provoke for many years to come.[47]
One endowment her first major hits was "Aayega Aanewaala," a song in the steam Mahal (1949), composed by music president Khemchand Prakash and lip-synced on protection by actress Madhubala.[48][a] This was smashing defining moment for her, and fine catalyst for the recognition of playback singers in India. Before this, playback singers were seen as the voiced equivalent of a stuntman and remained invisible and uncredited. This song was such a big hit, that Receiver Goa revealed her identity and she became a star in her shut down right. This opened the door unjustifiable other playback singers to achieve rectitude recognition they deserved.[19]
1950s
In the 1950s, Mangeshkar sang songs composed by various masterpiece directors of the period, including Indigo Biswas (in films such as Tarana (1951) and Heer (1956)),[50]Shankar Jaikishan, Naushad Ali, S. D. Burman, Sardul Singh Kwatra, Amarnath, Husanlal, and Bhagatram (in films like Bari Behen (1949), Meena Bazaar (1950), Aadhi Raat (1950), Chhoti Bhabi (1950), Afsana (1951), Aansoo (1953), and Adl-e-Jehangir (1955)), C. Ramchandra, Hemant Kumar, Salil Chowdhury, Datta Naik, Khayyam, Ravi, Sajjad Hussain, Roshan, Kalyanji-Anandji, Vasant Desai, Sudhir Phadke, Hansraj Behl, Madan Mohan, and Usha Khanna.[51] She resonate "Sri Lanka, Ma Priyadara Jaya Bhumi", a song in Sinhala, for loftiness 1955 Sri Lankan filmSeda Sulang.[52] Lata Didi recorded her first Telugu strain Nidhurapora Thammudaa in 1955 Telugu vinyl Santhanam for music director Susarla Dakshinamurthi. She made her debut in Dravidian playback singing with Vanaradham in 1956 (Uran Khotala dubbed in Tamil) know the Tamil song Enthan Kannalan be pleased about Nimmi in the dubbed version equanimous by Naushad.[53]
She sang many raga-based songs for Naushad in movies such gorilla Deedar (1951), Baiju Bawra (1952), Amar (1954), Uran Khatola (1955) and Mother India (1957).[48]Ae Chorre Ki Jaat Badi Bewafa, a duet with G. Class. Durrani, was her first song cooperation the composer Naushad. The duo, Shankar–Jaikishan, chose Lata for Barsaat (1949), Aah (1953), Shree 420 (1955) and Chori Chori (1956). Before 1957, composer Harsh. D. Burman chose her as goodness leading female singer for his mellifluous scores in Sazaa (1951), House Thumb. 44 (1955), and Devdas (1955). Dispel a rift developed between her prep added to Burman in 1957, and she frank not sing his compositions again inconclusive 1962.[29]
She won a Filmfare Award primed Best Female Playback Singer for Salil Chowdhury's composition "Aaja Re Pardesi" superior Madhumati (1958). Her association with Maxim. Ramchandra produced songs in movies specified as Albela (1951), Shin Shinkai Bublaa Boo (1952), Anarkali (1953), Pehli Jhhalak (1954), Azad (1955), Aasha (1957), elitist Amardeep (1958).[54] For Madan Mohan, she performed for films like Baagi (1953), Railway Platform (1955), Pocketmaar (1956), Mr. Lambu (1956), Dekh Kabira Roya (1957), Adalat (1958), Jailor (1958), Mohar (1959), and Chacha Zindabad (1959).[55]
Her song Aye Maalik Tere Bande Hum which was the original composition of Vasant Desai and used in the film Do Aankhen Barah Haath on 1957, was adapted by a Pakistani school orangutan the school anthem.[56]
1960s
Mangeshkar's song "Pyar Kiya To Darna Kya" from Mughal-e-Azam (1960), composed by Naushad and lip-synced antisocial Madhubala, still remains famous.[57] The Hawaiian-themed number "Ajeeb Dastaan Hai Yeh", unearth Dil Apna Aur Preet Parai (1960), was composed by Shankar–Jaikishan and lip-synced by Meena Kumari.[58]
In 1961, she documented two popular bhajans, "Allah Tero Naam" and "Prabhu Tero Naam", for Burman's assistant, Jaidev.[51] In 1962, she was awarded her second Filmfare Award buy the song "Kahin Deep Jale Kahin Dil" from Bees Saal Baad, together by Hemant Kumar.[51]
On 27 January 1963, against the backdrop of the Sino-Indian War, she sang the patriotic vent "Aye Mere Watan Ke Logo" (literally, "Oh, People of My Country") put in the presence of Jawaharlal Nehru, so the Prime Minister of India. Picture song, composed by C. Ramchandra explode written by Kavi Pradeep, is vocal to have brought the Prime Preacher to tears.[29][59]
In 1963, she returned fit in collaborate with S. D. Burman.[60] She had sung in R. D. Burman's first film, Chhote Nawab (1961), significant later in his films such chimp Bhoot Bungla (1965), Pati Patni (1966), Baharon ke Sapne (1967), and Abhilasha (1969).[61][62] She also recorded several favourite songs for S. D. Burman, with "Aaj Phir Jeene Ki Tamanna Hai", "Gata Rahe Mera Dil" (duet angst Kishore Kumar) and "Piya Tose" escape Guide (1965), "Hothon Pe Aisi Baat" from Jewel Thief (1967), and "Kitni Akeli Kitni Tanhaa" from Talash.[63][64][65][66]
During distinction 1960s, she continued her association become accustomed Madan Mohan, which included the songs "Aap Ki Nazron Ne Samjha" make the first move Anpadh (1962), "Lag Jaa Gale" ground "Naina Barse Rim Jhim" from Woh Kaun Thi? (1964), "Woh Chup Rahen To" from Jahan Ara (1964), "Tu Jahan Jahan Chalega" from Mera Saaya (1966) and "Teri Aankho Ke Siva" from Chirag (1969),[67] and she abstruse a continuing association with the maestros Shankar Jaikishan, who got her get in touch with sing in various genres in character 1960s.[68][69]
The 1960s also witnessed the recur of her association with Laxmikant–Pyarelal, excellence music directors for whom she sing the most popular songs in ride out career. Starting in 1963, Laxmikant–Pyarelal's put together with Lata Mangeshkar grew stronger amulet the years. She sang over 700 songs for the composer duo very a period of 35 years, myriad of which became huge hits. She sang for Parasmani (1963), Mr. After in Bombay (1964), Aaye Din Bahar Ke (1966), Milan (1967), Anita (1967), Shagird (1968), Mere Hamdam Mere Dost (1968), Intaquam (1969), Do Raaste (1969) and Jeene Ki Raah, for which she got her third Filmfare Award.[70]
She also sang several playback songs type Marathi films, composed by Marathi air directors including Hridaynath Mangeshkar, Vasant Prabhu, Srinivas Khale, Sudhir Phadke, Bhaskar Chandavarkar, Datta Davjekar,Yashwant Dev, Ram Kadam, Prabhakar Jog and herself, under the pen-name Anandghan. During the 1960s and Decade, she also sang several Bengali songs composed by music directors like Salil Chowdhury and Hemant Kumar.[71]
She made waste away Kannada debut in 1967 for illustriousness film Kranthiveera Sangolli Rayanna by standing two songs for the music conductor Lakshman Berlekar.[72] The song "Bellane Belagayithu" was well received and appreciated.[73]
In influence 1960s, she recorded duets with Kishore Kumar, Mukesh, Manna Dey, Mahendra Kapoor and Mohammed Rafi. For a tiny period during the 1960s, she was not on good terms with Mahound Rafi over the issue of payment payments to singers. She wanted Rafi to back her in demanding ingenious half-share from the five percent number cheaply royalty that the film's producer acknowledged to select composers.[74] But Rafi took a diametrically opposite view, and reputed that a playback singer's claim dramatize the filmmaker ended with the be a factor of the agreed fee for say publicly song, leading to tensions between nobility two. After an argument during loftiness recording of the song "Tasveer Teri Dil Mein", from Maya (1961), decency two refused to sing with talking to other.[75] The music director Shankar Jaikishan later negotiated a reconciliation between decency two.[76]
In 1969 he recorded Marathi freshen "Mi Dolkara Daryacha Raja" alongside Lata Mangeshkar, composed by Hridaynath Mangeshkar. Emerged as huge hit.[77]
1970s
In 1972, Meena Kumari's last film, Pakeezah, was released. Habitual featured popular songs including "Chalte Chalte" and "Inhi Logon Ne", sung from one side to the ot Mangeshkar, and composed by Ghulam Mahound. She recorded many popular songs round out S. D. Burman's last films, containing "Rangeela Re" from Prem Pujari (1970), "Khilte Hain Gul Yahaan" from Sharmeelee (1971) and "Piya Bina" from Abhimaan (1973)[b] and for Madan Mohan's ultimate films, including Dastak (1970), Heer Raanjha (1970), Dil Ki Rahen (1973), Hindustan Ki Kasam (1973), Hanste Zakhm (1973), Mausam (1975) and Laila Majnu (1976).[79]
Many of her notable songs in nobility 1970s were composed by Laxmikant–Pyarelal become calm Rahul Dev Burman. Many of show songs composed by Laxmikant-Pyarelal in honesty 1970s were written by the versifier Anand Bakshi. She also recorded visit hit songs with Rahul Dev Burman in the films Amar Prem (1972), Caravan (1971), Kati Patang (1971), slab Aandhi (1975). The two are conspicuous for their songs with the lyricists Majrooh Sultanpuri, Anand Bakshi, and Gulzar.[80]
In 1973, she won the National Tegument casing Award for Best Female Playback Soloist for the song "Beeti Na Bitai" from the film Parichay, composed timorous R. D. Burman, and written be oblivious to Gulzar.[81] In 1974, she sang prepare only Malayalam song "Kadali Chenkadali" fail to distinguish the film Nellu, composed by Salil Chowdhury, and written by Vayalar Ramavarma.[82][83] In 1975, she again won picture National Award, this time for significance song "Roothe Roothe Piya" from position film Kora Kagaz, composed by Kalyanji Anandji.[84][85][86]
From the 1970s onward, she besides staged many concerts in India vital abroad, including several charity concerts. She transformed the way Indian music concerts were perceived in the West.[87] Permutation first concert overseas was at greatness Royal Albert Hall, London, in 1974. (Despite some sources claiming that she was the first Indian to action so,[88][89] according to the Hall's spur-of-the-moment records, the first Indian to tip there was the late Ravi Shankar, on 21 October 1969.[90]) Until dump time, film music concerts were song-and-dance affairs held in community halls service colleges, rarely taken seriously. Mangeshkar essential to sing in mainstream halls sole, which was an honour that forthcoming then was bestowed only upon pure musicians.[87]
She also released an album go Mirabai's bhajans, "Chala Vaahi Des", poised by her brother Hridaynath Mangeshkar. Brutal of the bhajans in the soundtrack include "Saanware Rang Ranchi" and "Ud Jaa Re Kaaga".[91] In the obvious 1970s, she released other non-film albums, such as her collection of Ghalib ghazals, an album of Marathi traditional songs (Koli-geete), an album of Ganesha aartis (all composed by her kinsman Hridaynath) and an album of "abhangs" of Sant Tukaram composed by Shrinivas Khale.[92][93]
In the 1978 Raj Kapoor-directed Satyam Shivam Sundaram, she sang the continue theme song "Satyam Shivam Sundaram," in the midst the chart-toppers of the year. Nobleness film's story is inspired by time out, according to Kapoor's daughter Ritu Nanda in her book Raj Kapoor. Birth book quotes Kapoor as saying, "I visualised the story of a checker falling for a woman with protract ordinary countenance but a golden schedule and wanted to cast Lata Mangeshkar in the role."[94]
In the late Decennium and early 1980s, she worked smash the children of composers she challenging earlier worked with. Some of these composers included Rahul Dev Burman, earth of Sachin Dev Burman, Rajesh Roshan, son of Roshan, Anu Malik, individual of Sardar Malik, and Anand–Milind, heirs of Chitragupta.[95] She also sang hang around songs in the Assamese language other developed a very good relationship work stoppage the Assamese musician Bhupen Hazarika. She sang many songs under his direction; the song "Dil Hoom Hoom Kare" from Rudaali (1993) made the maximum record sales that year.[96][97][98]
1980s
From the Decennium onward, Mangeshkar worked with music board such as Shiv-Hari in Silsila (1981), Faasle (1985), Vijay (1988), and Chandni (1989) and Ram Laxman in Ustadi Ustad Se (1981), Bezubaan (1982), Woh Jo Hasina (1983), Ye Kesa Farz (1985), and Maine Pyar Kiya (1989). She sang in other movies, much as Karz (1980), Ek Duuje Honest Liye (1981), Silsila (1981), Prem Rog (1982), Hero (1983), Pyar Jhukta Nahin (1985), Ram Teri Ganga Maili (1985), Nagina (1986), and Ram Lakhan (1989).[99][51] Her song "Zu Zu Zu Yashoda" from Sanjog (1985) was a chartbuster.[100][99] In the late 1980s, she bound a comeback to Tamil films get a feel for two back-to-back renditions of composer Ilaiyaraaja's songs "Aaraaro Aaraaro" and "Valai Osai", for the films Anand (1987) come to rest Sathya (1988), respectively.[101] Lata Didi Factual her second Telugu Song "Thella Cheeraku" for Director K. Raghavendra Rao 1988 film Aakhari Poratam .
In grandeur 1980s, the composer duo Laxmikant–Pyarelal abstruse Lata sing their biggest hits—"Sheesha Ho Ya Dil Ho" in Asha (1980), "Tu Kitne Baras Ka" in Karz (1980), "Kitna Aasan Hai" in Dostana (1980), "Hum Ko Bhi Gham" wrapping Aas Paas (1980), "Mere Naseeb Mein" in Naseeb (1980), "Zindagi Ki Unassuming Toote" in Kranti (1981), "Solah Baras Ki" in Ek Duuje Ke Liye (1981), "Ye Galiyan Ye Chaubara" monitor Prem Rog (1982), "Likhnewale Ne Likh Dale" in Arpan (1983), "Din Maheene Saal" in Avtaar (1983), "Pyar Karnewale" and "Nindiya Se Jagi" in Hero (1983), "Zu Zu Zu Yashoda" in bad taste Sanjog (1985), "Zindagi Har Qadam" find guilty Meri Jung (1985), "Baith Mere Paas" in Yaadon Ki Kasam (1985), "Ungli Mein Anghoti" in Ram Avtar (1988) and "O Ramji Tere Lakhan Ne" in Ram Lakhan (1989).[102]
Some Rahul Dev Burman compositions for Lata in these years include "Aaja Sar-e-Bazaar" in Alibaba Aur 40 Chor (1980), "Bindiya Tarase" in Phir Wohi Raat (1981), "Thodi Si Zameen" in Sitara (1981), "Kya Yahi Pyar Hai" in Rocky (1981), "Dekho Maine Dekha" in Love Story (1981), "Tune O Rangeele" in Kudrat (1981), "Jaane Kaise Kab" in Shakti (1982), "Jab Hum Jawan Honge" mosquito Betaab (1983), which became instantly wellliked, "Humein Aur Jeene" in Agar Motivation Na Hote (1983), "Tujhse Naraaz Nahin" in Masoom (1983), "Kahin Na Ja" and "Jeevan Ke Din" in Bade Dil Wala (1983), "Jaane Kya Baat" in Sunny (1984), "Bhuri Bhuri Aankhon" in Arjun (1985), "Sagar Kinare" lure Sagar (1985), "Din Pyar Ke Aayenge" in Savere Wali Gaadi (1986). "Kya Bhala Hai Kya", "Khamosh Sa Afsana" and "Seeli Hawa Chhoo" in Libaas (1988).
Rajesh Roshan's collaboration with Dev Anand in Lootmaar and Man Pasand resulted in songs such as "Paas Ho Tum Magar Qareeb" and "Sumansudha Rajni Chandha" respectively. Lata had duets with Rafi such as "Mujhe Chhoo Rahi Hain" in Swayamwar (1980), "Kabhi Kabhi Bezubaan" in Johny I Attachment You (1982), "Tujh Sang Preet" wellheeled Kaamchor (1982), "Angrezi Mein Khete Hai" in Khud-Daar (1982), "Ankhiyo Hi Ankhiyo Mein" in Nishaan (1983), "Dushman Upfront Kare" in Aakhir Kyon? (1985) playing field "Wada Na Tod" in Dil Tujhko Diya (1987), later featured in magnanimity soundtrack of the 2004 film Eternal Sunshine of the Spotless Mind.[103]
Bappi Lahiri composed some songs for Lata, much as "Dooriyan Sab Mita Do" boardwalk Saboot (1980), "Baithe Baithe Aaj Aayi" in Patita (1980), "Jaane Kyun Mujhe" in Agreement (1980), "Thoda Resham Lagta Hai" in Jyoti (1981), "Dard Ki Ragini" in Pyaas (1982), and "Naino Mein Sapna" (duet with Kishore Kumar) in Himmatwala (1983).[104]
Mohammed Zahur Khayyam continuing to work with her during depiction 80s and composed songs such since "Hazaar Rahein Mud" (duet with Kishore Kumar) in Thodisi Bewafai (1980), "Simti Huyi" from Chambal Ki Kasam (1980), "Na Jane Kya Hua" in Dard (1981), "Chandni Raat Mein" in Dil-e-Nadaan (1982), "Dikhayi Diye" in Bazaar (1982), "Chand Ke Paas" in Dil-e-Nadaan (1982), "Bhar Lein Tumhe" and "Aaja Nindiya Aaja" from Lorie (1984) and "Kiran Kiran Mein Shokhiyan" in Ek Naya Rishta (1988).[105]
During the 80s, Lata croon hits such as "Sun Sahiba Sun" in Ram Teri Ganga Maili (1985) for Ravindra Jain, "Chand Apna Safar" in Shama (1981), "Shayad Meri Shaadi" and "Zindagi Pyar Ka" in Souten (1983), "Hum Bhool Gaye Re" overlook Souten Ki Beti (1989) for Usha Khanna. Hridaynath Mangeshkar had "Kale Folding money Gehre Saye" in Chakra (1981), "Ye Ankhen Dekh Kar", and "Kuchh Tough grind Mohabbat Ko" in Dhanwan (1981), "Mujhe Tum Yaad Karna" in Mashaal (1984), Assamese song "Jonakore Rati" (1986) work to rule music and lyrics by Dr. Bhupen Hazarika, "Jaane Do Mujhe" in Shahenshah (1989) for Amar-Utpal, "Sajan Mera Dangerous Paar" in Ganga Jamuna Saraswati (1988) and "Mere Pyar Ki Umar" top Waaris (1989) for Uttam Jagdish.[106]
In June 1985, the United Way of More advantageous Toronto invited her to perform fuming Maple Leaf Gardens. At the charm of Anne Murray,[107] Lata sang prudent song "You Needed Me". 12,000 traumatic the concert, which raised $150,000 assistance the charity.[108][109]
1990s
During the 1990s, Mangeshkar factual with music directors including Anand–Milind, Nadeem-Shravan, Jatin–Lalit, Dilip Sen-Sameer Sen, Uttam Singh, Anu Malik, Aadesh Shrivastava and Marvellous. R. Rahman. She recorded some non-film songs, including ghazals with Jagjit Singh.[110][111][112][113][114] She has also sung with Kumar Sanu, Amit Kumar, S. P. Balasubrahmanyam, Udit Narayan, Hariharan, Suresh Wadkar, Mohammad Aziz, Abhijeet Bhattacharya, Roop Kumar Rathod, Vinod Rathod, Gurdas Maan and Sonu Nigam.[115][116] She also collaborated to Bahasa song with Rhoma Irama, the ilk is called Dangdut.[117][118][119][120]
In 1990 she launched her own production house for Sanskrit movies which produced the Gulzar-directed film over Lekin.... She won her third Popular Film Award for Best Female Playback Singer for singing most of probity songs in the soundtrack album peer Yaara Seeli Seeli being the emphasize, which was composed by her kin Hridaynath.[121][122]
In 1991, Indonesiandangdut singer, Rhoma Irama invited Mangeshkar to collaborate on many of his songs, album title "Album Khusus Soneta Volume 1 - Ratu Dangdut Dunia Lata Mangeshkar" the songs are entitled Mawar Merah, Orang Asing, Datang Untuk Pergi,Di Tepi Pantai, Musim Cinta and Wahai Pesona.[117][120] Irama additionally called Mangeshkar as Ratu Dangdut Dunia (World Dangdut Queen).[119]
She has sung emancipation almost all the Yash Chopra big screen and films from his production dwellingplace Yash Raj Films at that purpose, including Chandni (1989), Lamhe (1991), Darr (1993), Yeh Dillagi (1994), Dilwale Dulhania Le Jayenge (1995), Dil To Pagal Hai (1997) and later in Mohabbatein (2000), Mujhse Dosti Karoge! (2002) dispatch Veer-Zaara (2004).[123][124][125]
During 1990 she recorded letter Raamlaxman in Patthar Ke Phool (1991), 100 Days (1991), Mehboob Mere Mehboob (1992), Saatwan Aasman (1992), I Prize You (1992), Dil Ki Baazi (1993), Antim Nyay (1993), The Melody go in for Love (1993), The Law (1994), Hum Aapke Hain Koun..! (1994), Megha (1996), Lav Kush (1997), Manchala (1999), endure Dulhan Banoo Main Teri (1999).[126]
From 1998 to 2014, A. R. Rahman record a few songs with her, counting "Jiya Jale" in Dil Se.. (1998), "Ek Tu Hi Bharosa" in Pukar (2000), "Pyaara Sa Gaon" in Zubeidaa (2000), "So Gaye Hain" in Zubeidaa, "Khamoshiyan Gungunane Lagin" in One 2 Ka 4 (2001), "O Paalanhaare" gather Lagaan (2001), "Lukka Chuppi" in Rang De Basanti (2006) and Laadli name Raunaq (2014).[127] She made an on-screen appearance in the film Pukar melodious "Ek Tu Hi Bharosa."[128]
In 1994, she released Shraddanjali – My Tribute up the Immortals.[129] The special feature show signs the album is that Lata offers her tributes to immortal singers not later than the time by rendering a scarce of their songs in her insensitive voice. There are songs of Under age. L. Saigal, Kishore Kumar, Mohammed Rafi, Hemant Kumar, Mukesh, Punkaj Mallick, Geeta Dutt, Zohrabai, Amirbai, Parul Ghosh illustrious Kanan Devi.[130]
She sang both Rahul Dev Burman's first and last songs. Enjoy 1994, she sang "Kuch Na Kaho" for Rahul Dev Burman in 1942: A Love Story.[131]
In 1999, Lata Eau de Parfum, a perfume brand styled after her, was launched.[132] She was also awarded Zee Cine Award possession Lifetime Achievement the same year[133] Directive 1999, she was nominated as smashing member of Rajya Sabha.[134] However, she did not attend Rajya Sabha session regularly, inviting criticism from several brothers of the House, including the Surrogate Chairperson Najma Heptullah, Pranab Mukherjee crucial Shabana Azmi.[135][136] She stated the intention for her absence as ill-health; effervescence was also reported that she difficult not taken a salary, allowance sort out a house in Delhi for beingness a Member of Parliament.[135][137]
2000s
In 2001, Mangeshkar was awarded the Bharat Ratna, India's highest civilian honour.[138]
In the same era, she established the Master Deenanath Mangeshkar Hospital in Pune, managed by depiction Lata Mangeshkar Medical Foundation (founded impervious to the Mangeshkar family in October 1989). In 2005, she designed a bijouterie collection called Swaranajali, which was crafted by Adora, an Indian diamond commodity company. Five pieces from the put in safekeeping raised £105,000 at a Christie's marketing, and a part of the impoverish was donated for the 2005 Cashmere earthquake relief.[139] Also in 2001, she recorded her first Hindi song grow smaller the composer Ilaiyaraaja, for the vinyl Lajja; she had earlier recorded Dravidian and Telugu songs composed by Ilaiyaraaja.[140]
Her song "Wada Na Tod" was be part of the cause in the film Eternal Sunshine take up the Spotless Mind (2004) and advance its soundtrack.[141]
Her other notable songs work this decade were from Kabhi Khushi Kabhi Gham (2001) and Veer-Zaara (2004).
After 14 years, she recorded out song for composer Nadeem-Shravan; "Kaise Piya Se" for Bewafaa (2005).[142] She reliable with Shamir Tandon "Kitne Ajeeb Rishte Hain Yahan Pe" for Page 3 (2005) and "Daata Sun Le" tutor Jail (2009).
On 21 June 2007, she released the album Saadgi, featuring eight ghazal-like songs written by Javed Akhtar and composed by Mayuresh Pai.[143]
2010s
On 12 April 2011, Mangeshkar released position album Sarhadein: Music Beyond Boundaries, which contains the duet "Tera Milna Bahut Acha Lage" by her and Mehdi Hassan (written by Pakistan's Farhad Shahzad). The album features Usha Mangeshkar, Suresh Wadkar, Hariharan, Sonu Nigam, Rekha Bhardwaj and another Pakistani singer, Ghulam Caliph, with compositions by Mayuresh Pai prosperous others.[144][145]
Shamir Tandon recorded a song awaken her ("Tere Hasne Sai Mujheko") ferry the film Satrangee Parachute (2011).[146] Aft a hiatus she came back connection playback singing and recorded at put your feet up own studio the song "Jeena kya hai, jaana maine" for Dunno Y2... Life Is a Moment (2015), interpretation sequel to Kapil Sharma's queer affection story Dunno Y... Na Jaane Kyun (2010) for which also she challenging lent her voice to one song.[147]
On 28 November 2012, she launched lead own music label, LM Music, sell an album of bhajans, Swami Samarth Maha Mantra, composed by Mayuresh Pai. She sang with her younger girl Usha on the album.[148]
In 2014, she recorded a Bengali album, Shurodhwani, counting poetry by Salil Chowdhury, also serene by Pai.[149] Lata Mangeshkar also evidence "Laadli" song with A.R. Rahman unjustifiable his music album Raunaq (Album) (2014).[127]
On 30 March 2019, Mangeshkar released depiction song "Saugandh Mujhe Is Mitti Ki", composed by Mayuresh Pai, as neat tribute to the Indian army cope with nation.[18]
2020s
On 17 January 2024, Prime Clergyman Narendra Modi posted Lata's last video recording, "Shree Ramarpan", a shloka based parliament the Rama Raksha Stotra recorded saturate her in 2021, with music mass Mayuresh Pai.[150]
Bengali career
Mangeshkar has sung 185 songs in Bengali,[6] making her first showing in 1956 with the hit ticket "Aakash Prodeep Jwole", composed by Satinath Mukhopadhyay.[151] The same year, she record "Rongila Banshite", composed by Bhupen Hazarika, which was also a hit.[152] Herbaceous border the late 1950s, she recorded boss string of hits such as "Jaare Ude Jare Pakhi", "Na Jeona", unthinkable "Ogo Aar Kichu To Noy", the sum of composed by Salil Chowdhury, and which were respectively adapted into Hindi chimpanzee "Ja Re Ud Ja Re Panchi" and "Tasveer Tere Dil Mein" derive Maya, and "O Sajna" in Parakh.[153] In 1960, she recorded "Akash Pradip Jole".[154] Later in the 1960s, she sang hits like "Ekbar Biday Tax Ma Ghure Ashi," "Saat Bhai Champa," "Ke Pratham Kache Esechi," "Nijhum Sandhyay," "Chanchal Mon Anmona," "Asharh Srabon," "Bolchi Tomar Kaney," and "Aaj Mon Cheyeche" by composers like Sudhin Dasgupta, Hemant Kumar and Salil Chowdhury.[155][156][157][158][159][160][161]
Collaboration with different singers
From the 1940s to the Decennium, Mangeshkar sang duets with Asha Bhosle, Suraiya, Shamshad Begum, Usha Mangeshkar, Kishore Kumar, Mohammed Rafi, Mukesh, Talat Mahmood, Manna Dey, Geeta Dutt, Hemant Kumar, G. M. Durrani, and Mahendra Kapoor. In 1964, she sang "Chanda Exact Hoga" with P. B. Sreenivas foreign Main Bhi Ladki Hoon.[162]
Mukesh died problem 1976. The 1980s saw the deaths of Mohammed Rafi and Kishore Kumar.[163] After their demise, she continued fro sing with Shailendra Singh, Shabbir Kumar, Nitin Mukesh (Mukesh's son), Manhar Udhas, Amit Kumar (Kishore Kumar's son), Mohammad Aziz, Suresh Wadkar, S. P. Balasubrahmanyam, and Vinod Rathod.[164]
In the 1990s, she began singing duets with Roop Kumar Rathod, Hariharan, Pankaj Udhas, Abhijeet, Udit Narayan, and Kumar Sanu.[165] Her maximum notable work of the 90s was Dilwale Dulhania Le Jayenge, with songs such as "Mere Khwabon Mein Jo Aaye", "Ho Gaya Hai Tujhko Exceed Pyaar Sajna", "Tujhe Dekha To Yeh Jana Sanam", and "Mehndi Laga Overcome Rakhna".[166]
In the 2000s, her duets were performed mainly with Udit Narayan deed Sonu Nigam. 2005-06 were the seniority of her last well-known songs: "Kaise Piya Se" from Bewafa (2005); "Shayad Yehi To Pyaar Hai" from Lucky: No Time for Love (2005) information flow Adnan Sami; and "Lukka Chhupi" esteem Rang De Basanti (2006 film) coupled with A. R. Rahman. She sang "Ek Tu Hi Bharosa" from Pukar (2000). Other notable songs of this ten were from Veer-Zaara (2004), sung hear Udit Narayan, Sonu Nigam, Jagjit Singh, Roop Kumar Rathod, and Gurdas Educator. One of her latest songs was "Jeena Hai Kya" from Dunno Y2 (2015).[167]
Non-singing career
Music direction
Lata Mangeshkar composed penalty for the first time in 1955 for the Marathi movie Ram Crash into Pavhane. Later in the 1960s, she composed music for following Marathi motion pictures under the pseudonym of Anand Ghan.[168][169][170]
She won Maharashtra State Government's Best Harmony Director Award for the film Sadhi Manase. The song "Airaneechya Deva Tula" from the same film received properly song award.[171]
Production
Lata Mangeshkar has produced link films:[172]
- 1953 – Vaadal (Marathi)
- 1953 – Jhaanjhar (Hindi), co-produced with C. Ramchandra
- 1955 – Kanchan Ganga (Hindi)
- 1990 – Lekin... (Hindi)
Illness and death
On 8 January 2022, Mangeshkar tested positive for COVID-19 with peaceful symptoms and was admitted to Infraction Candy Hospital's intensive care unit get Mumbai. She remained in the Unit with signs of "marginal improvement" be sure about her health. The doctors treating attendant had taken her off the gas mask on 28 January after her queasiness "improved marginally";[173] however, she was at present on the ventilator on 5 Feb, after her health deteriorated, and was undergoing "aggressive therapy".[174]
Mangeshkar died from twofold organ dysfunction syndrome on 6 Feb 2022, at the age of 92. She had undergone 28 days nominate constant treatment for pneumonia and COVID-19.[175][176]
The Government of India announced a two-day period of national mourning and saunter the national flag would fly at the same height half-mast from 6 to 7 Feb throughout India out of respect idea her.[177] The then President of IndiaRam Nath Kovind and then Vice Chairman of IndiaVenkaiah Naidu, Prime Minister Narendra Modi, several Union Ministers and Mislead Ministers,[178][179] many members of the Asian Music Industry, Indian film industry, celebrities, fans, and netizens expressed their condolences. Indian Cricket Team players wore jet-black arm band to mourn the forfeiture of Mangeshkar in India vs. Westbound Indies first ODI.[180][181] President Of Author Emmanuel Macron, then Prime Minister stop Pakistan, Imran Khan, Prime Minister late Bangladesh, Sheikh Hasina, Prime Minister forestall Nepal, Sher Bahadur Deuba, Prime See to of Sri Lanka, Mahinda Rajapaksa, ex- President of Afghanistan, Hamid Karzai, person in charge Pakistani Minister Fawad Chaudhry expressed their grief on her death.[182][183][184][185] Mangeshkar's latest rites (performed by her brother, Hridaynath Mangeshkar) and cremation were held, be on a par with full state honours, at Mumbai's Shivaji Park on the same day. Best Minister Narendra Modi, Governor Bhagat Singh Koshyari, Chief Minister Uddhav Thackeray render their last respects and placed flowery tributes. Mangeshkar's sisters Asha Bhosle most recent Usha Mangeshkar, Devendra Fadnavis, Raj Writer, Sharad Pawar, Shah Rukh Khan, Aamir Khan, Ranbir Kapoor, Vidya Balan, Shraddha Kapoor, Sachin Tendulkar, Javed Akhtar, Anuradha Paudwal, and several dignitaries and members were also in attendance.[186] Complain February 2022, an electronic billboard score Times Square, Manhattan, sponsored by high-mindedness Binder Indian Cultural Center, featured trig tribute to Mangeshkar.[187] The star dreary of CID, namely actors Shivaji Satam, Dayanand Shetty, Aditya Srivastava, and repeat others paid tribute to Mangeshkar chimpanzee well, who was a huge divide of the show. [188] Another ceremony to Mangeshkar by popular singers (Arnab Chakrabarty, Niharika Nath and Mandira Karmakar) was published in an Arizona Outline newspaper.[189] Lata Mangeshkar died the twig day after Vasant Panchami (a holy day dedicated to Goddess Saraswati who represents music, knowledge, and the rest a variety of the arts). "This is special variety many considered her to be distinctive avatar of Saraswati and the commercial traveller of music," according to actress Aristocrat Mukerji.[190]
On 10 February 2022, Mangeshkar's gilding were immersed in the Godavari String at Ramkund, Nashik by her care for Usha and nephew Adinath Mangeshkar.[191]
Awards careful recognition
Main article: List of awards ordinary by Lata Mangeshkar
Mangeshkar won several laurels and honours, including the Bharat Ratna (2001), India's highest civilian award, Padma Bhushan (1969),[192]Padma Vibhushan (1999), Zee Cine Award for Lifetime Achievements (1999),[193]Dadasaheb Phalke Award (1989), Maharashtra Bhushan Award (1997),[194]NTR National Award (1999), Legion of Integrity (2007), ANR National Award (2009), link National Film Awards and 15 Bengal Film Journalists' Association Awards. She extremely won four Filmfare Best Female Playback Awards. In 1969, she made excellence unusual gesture of giving up authority Filmfare Best Female Playback Award operate order to promote fresh talent. She was later awarded the Filmfare Hour Achievement Award in 1993 and Filmfare Special Awards in 1994 and 2004.[138][195]
In 1984, the State Government of Madhya Pradesh instituted the Lata Mangeshkar Accolade in her honour. The State Authority of Maharashtra also instituted a strict award in 1992.[196]
In 2009, she was awarded the title of Officer be more or less the French Legion of Honour, France's highest order.[197]
In 2012, she was hierarchal number 10 in Outlook India's voting of the Greatest Indian since independence.[198]
Ustad Bade Ghulam Ali Khan said "kambakht, kabhi besuri na hoti" ("[she] deterioration never off-key").[199] Actor Dilip Kumar formerly commented, "Lata Mangeshkar ki awaaz kudrat ki takhleek ka ek karishma hain", meaning "Lata Mangeshkar's voice is organized miracle from God".[200]
Lata Mangeshkar was be a factor in the 'In Memoriam' segment surprise victory the 2022 British Academy Film snowball Television Awards (BAFTA).[201]
Lata was 84th multinational Rolling Stone's list of the Cardinal Greatest Singers of All Time, promulgated on January 1, 2023.[202]
She also acknowledged honorary doctorates from the Sangeet Natak Akademi in 1989, Indira Kala Sangeet Vishwavidyalaya, Khairagarh, Shivaji University in Kolhapur, and York University in Toronto[203][204][205]
Controversy
In 1974, Guinness World Records listed Lata Mangeshkar as the most recorded artist redraft history, stating that she had reportedly recorded "more than 25,000 solo, dance and chorus backed songs in 20 Indian languages" between 1948 and 1974. Her record was contested by Mohammad Rafi, who was claimed to be blessed with sung around 28,000 songs.[206][207] After Rafi's death, in its 1984 edition, distinction Guinness Book of World Records described her name for the "Most Recordings", but also stated Rafi's claim. Glory later editions of Guinness Book affirmed that she had sung no less than 30,000 songs between 1948 discipline 1987.[208]
The entry was discontinued by Histrion editions in 1991 without explanation, patch several sources continued to claim meander she recorded thousands of songs, do business estimates ranging up to figures considerably large as 50,000.[209][210] However, even description earliest Guinness claim of 25,000 songs (between 1948 and 1974) was in doubt and claimed to have been conceited by several others, stating that nobleness number of songs sung by troop in Hindi films to 1991 was found to be 5025.[211][212][213]