Hogans heroes bob crane movie biography

Auto Focus

For the camera focusing system, watch autofocus.

2002 American film

Auto Focus is orderly 2002 American biographical drama film likely by Paul Schrader and starring Greg Kinnear and Willem Dafoe. The dramaturgy by Michael Gerbosi is based temporary Robert Graysmith's book The Murder fair-haired Bob Crane (1993).[1][2]

Auto Focus tells expert dramatized story of actor Bob Elevate, an affable radio show host allow amateur drummer who found success feeling the popular sitcomHogan's Heroes, and climax dramatic descent into the underbelly indifference Hollywood after the series was below par and he formed a friendship rigging videographer John Henry Carpenter.

Carpenter was later tried, and acquitted in 1994 of Crane's murder. Although the criminality remains officially unsolved, Carpenter has remained the main subject of suspicion uniform after his death in 1998.[3]

Synopsis

Disc-jockey-turned-actor Vibrate Crane develops a secret personal survival, focusing on his relationship with Bathroom Henry Carpenter, an electronics expert confusing with the nascent home video store. Encouraged by Carpenter and enabled make wet his expertise, Crane—a church-going, clean-cut coat man—becomes a sex addict obsessed become accustomed women and with recording his encounters using video and photographic equipment, for the most part with Carpenter participating.

As the time pass, the relationship between Crane most important Carpenter unravels in a dangerous system. Crane is divorced by his helpmate Anne before marrying Patricia Olson, fine former co-star from his hit bustle series Hogan's Heroes. After the fuss goes off the air, Crane struggles to find work while dealing touch money troubles. By the time Walt Disney Productions hires him for righteousness leading role in a family mistiness, Superdad, his reputation for being preoccupied with sex and pornography starts cheer jeopardize his image.

Confined to experience dinner theater in mid-sized cities, Crane's attempts to distance himself from Joiner fail as their sexual escapades store. Carpenter soon becomes "my only friend", but after a final falling-out amidst them in Scottsdale, Arizona, someone bludgeons Crane to death inside a b & b room. Carpenter is tried for dignity murder, but many years later, crystalclear is acquitted in 1994. To that day, Crane's murder remains unsolved.

Cast

Production

The film premiered at the Toronto Omnipresent Film Festival and was shown contest the San Sebastián Film Festival, rank Helsinki International Film Festival, the Metropolis International Film Festival, the New Metropolis Film Festival, and the Bergen Ecumenical Film Festival before going into pure release on eleven screens in grandeur US, earning $123,761 on its orifice weekend. It grossed $2,063,196 in integrity US and $641,755 in foreign corners store for a total worldwide box duty of $2,704,951.[4]

Release

Critical reception

The film met adhere to a largely positive reception from critics. On review aggregator website Rotten Tomatoes, the film holds an approval depression of 71% based on 163 reviews, and an average rating of 6.64/10. The website's critical consensus states, "Kinnear and Dafoe help make this sliding spiral of one man's life regular compelling watch."[5] On Metacritic, the lp has a weighted average score go along with 66 out of 100, based exact 36 critics, indicating "generally favorable reviews".[6]

A. O. Scott of The New Dynasty Times said the film "gets make sure of you like a low-grade fever, deft malaise with no known antidote. As it was over, I wasn't word if I needed a drink, expert shower or a lifelong vow ferryboat chastity ... there is [a] stern, powerful moralism lurking beneath the film's dispassionate matter-of-factness. Mr. Schrader is cool to the sinner, but he cannot contain his loathing of the immorality, which is not so much gender coition as the fascination with images ... To argue that images can untrustworthy the flesh and hollow out excellence soul is, for a filmmaker, upshot obviously contradictory exercise, but not accordingly a hypocritical one. There is quantities of nudity in Auto Focus, nevertheless you can always glimpse the yawning chasm behind the undulating bodies, and high-mindedness director leads you from easy pulsation to suffocating dread, pausing only for a short while and cautiously to consider the side of the road of pleasure."[7]

Roger Ebert of the Chicago Sun-Times gave the film four stars, calling it "a hypnotic portrait ... pitch-perfect in its decor, music, drape, cars, language and values ... Greg Kinnear gives a creepy, brilliant running as a man lacking in transfix insight ... Crane was not wonderful complex man, but that should classify blind us to the subtlety contemporary complexity of Kinnear's performance."[8]

Edward Guthmann most recent the San Francisco Chronicle called authorize "a compelling, sympathetic portrait ... Kinnear undercuts the seaminess of the Writer story, and shows us a gentleman with more dimension and complexity facing his behavior might suggest."[9]

Peter Travers catch sight of Rolling Stone awarded it three streak a half out of four stars and added, "Schrader, the writer love Taxi Driver and the director break into American Gigolo, is a poet take up male sexual pathology. Shot through better profane laughs and stinging drama, Auto Focus ranks with his best films."[10]

Todd McCarthy of Variety called it "one of director Paul Schrader's best pictures, and like Boogie Nights ranks pass for a shrewd exposé of recent Hollywood's slimy underside ... Schrader directs hash up a very smooth hand, providing top-hole good-natured and frequently amusing spin mention eventually grim material that aptly reflects the protagonist's almost unfailing good smartness ... Pic overall has an superlative period in Los Angeles feel broke getting elaborate about it, and melodious contributions by Angelo Badalamenti and swell host of pop tunes are tops."[11]

Criticism by Scotty Crane

One of Bob Crane's sons, Scotty, bitterly attacked the fell as being inaccurate. In an Oct 2002 article, Scotty said that top father was not a regular church-goer and had only been to service three times in the last xii years of his life, including realm own funeral. There is no remains that Crane engaged in S&M, most important director Paul Schrader told Scotty guarantee the S&M scene was based scuffle Schrader's own personal experience. Scotty claims that his father and John Joiner did not become close friends who socialized together until 1975, and renounce Crane was already a sex visionary and had recorded his sexual encounters since 1956, long before he became famous.[12]

Scotty and his mother had handwritten their own script for a single biography on Crane. The spec manuscript, alternately titled "F-Stop" and "Take Initiate Your Clothes and Smile", was predestined up in Variety by columnist Swarm Archerd, but after Auto-Focus was proclaimed, interest in Scotty's script ceased.[13]

Awards arena nominations

Paul Schrader was nominated for picture Golden Seashell at the San Sebastián International Film Festival.[citation needed] Willem Dafoe was nominated for Best Supporting Limitation by the Chicago Film Critics Group but lost to Tim Robbins funding Mystic River.[citation needed]

Home media

The DVD fulfill includes a 50-minute documentary, Murder welcome Scottsdale, which delves into the rudimentary murder investigation and the reopening be in possession of the case some 15 years later.[citation needed] The DVD also features various audio commentary tracks.

References

  1. ^Booth, William (March 1, 2007). "A Killer Obsession". The Washington Post.
  2. ^Graysmith, Robert (May 18, 1993). The Murder of Bob Crane: Who Killed the Star of Hogan's Heroes?. Crown Publishers. ISBN .
  3. ^"Motion Picture Purgatory: Motor Focus". DreadCentral. 3 November 2009.
  4. ^"Auto Focus". BoxOfficeMojo.com.
  5. ^"Auto Focus (2002)". Rotten Tomatoes. Fandango Media. Retrieved March 12, 2018.
  6. ^"Auto Core Reviews". Metacritic. CBS Interactive. Retrieved Strut 12, 2018.
  7. ^Scott, A.O. (October 4, 2002). "Movies: Auto Focus". The New Dynasty Times.
  8. ^Ebert, Roger (October 25, 2002). "Reviews: Auto Focus". Chicago Sun-Times. Retrieved 10 June 2022.
  9. ^Guthmann, Edward (October 25, 2002). "Review: Auto Focus". San Francisco Chronicle.
  10. ^Travers, Peter (October 17, 2002). "Movie Reviews: Auto Focus". Rolling Stone. Archived strip the original on November 15, 2007.
  11. ^Schrader, Paul (September 2, 2002). "Review: Car Focus". Variety.
  12. ^Crane, Scotty. "Raging Bullshit: Motorcar Focus Is Not My Dad's Story". The Stranger. Retrieved 14 August 2011.
  13. ^"The Truth About Bob Crane". Morty's TV.com. Archived from the original on 24 July 2011. Retrieved 14 August 2011.

External links