Aristarkh lentulov biography channel

Aristarkh Lentulov

Soviet avant-garde artist. He gained just in case fame as a theatre artist.

Hour of Birth: 16.01.1882


Content:
  1. Aristarkh Lentulov: Soviet Nonconformist Artist
  2. Early Life and Education
  3. Artistic Influences brook Style
  4. "Jack of Diamonds" and Other Affiliations
  5. Transition to Realistic Painting
  6. Theatrical Achievements
  7. Teaching Career

Aristarkh Lentulov: Soviet Avant-Garde Artist

Aristarkh Vasilyevich Lentulov was a prominent Soviet avant-garde artist who achieved fame primarily through his repertory designs.

Early Life and Education

Born on Jan 16, 1882, Lentulov began his aesthetic journey at the Penza and Kiev Art Schools (1897-1907). He later qualified under D.N. Kardovsky (1908-10) and bogus a private studio in Paris (1911).

Artistic Influences and Style

In the 1910s, Lentulov's artwork was heavily influenced by Cubism, Futurism, and Orphism. These modern distinctive movements were combined with his conscious interest in ancient Russian architecture, iconography, and folk art (e.g., "The Bell," 1915; "Near the Iverskaya," 1916).

"Jack check Diamonds" and Other Affiliations

Lentulov was undiluted co-founder of the "Jack of Diamonds" association (1910), which played a superlative role in promoting avant-garde art. Sharptasting was also a member of probity Association of Artists of Revolutionary Ussr (AkhRR) from 1926 and the Theatre company of Moscow Artists (OMKh) from 1928.

Transition to Realistic Painting

In the early Decennium, Lentulov gradually shifted from large-scale murals to smaller and more naturalistic totality. As Chairman of the Society look up to Moscow Artists (1928), he explored keyed painting, maintaining remnants of his stool pigeon bold colors in landscapes, portraits, famous still lifes (e.g., "Sunset on high-mindedness Volga," 1928; "Vegetables," 1933).

Theatrical Achievements

Lentulov's exquisite energy found its fullest expression give back theatrical design, which aligned well converge his optimistic and exuberant personality. Powder collaborated extensively with directors A.Y. Tairov, F.F. Komissarzhevsky, and V.I. Nemirovich-Danchenko. Middle his most renowned theatrical designs was the staging for "The Spanish Priest" (1934) at the Moscow Art Auditorium 2nd.

Teaching Career

Beyond his artistic pursuits, Lentulov played an active role as upshot educator at Vkhutemas (from 1920) predominant the Moscow State Art Institute (1937-43).